Eminem's Top Songs and Stans Soundtrack Dominate iTunes Charts

Eminem continues to command iTunes following the premiere of his Stans documentary and its accompanying soundtrack album. The project has generated immediate commercial momentum, with multiple entries climbing the platform’s most-watched rankings across both albums and individual tracks.

Strong Debut Positions Across iTunes

The Stans official soundtrack claims the No. 10 position on iTunes’ Top Albums chart, positioning itself among other major contemporary releases. Within the same timeframe, Eminem’s top songs from the collection are gaining traction separately. “Everybody’s Looking at Me,” a standout track from the album, entered the iTunes Top Songs chart at No. 19, showcasing the superstar’s sustained commercial appeal in the digital marketplace.

The film itself rolled out as a limited theatrical release earlier this month before making its streaming debut on Paramount+ on August 26. The soundtrack arrived simultaneously, capitalizing on audience interest in the documentary’s release. This coordinated rollout has proven effective in driving sales velocity across multiple formats.

Catalog Performance and Supporting Singles

Beyond the new material, Eminem’s established catalog continues to resonate with listeners. The classic album The Eminem Show has re-entered the iTunes Top Albums rankings at No. 148, likely bolstered by renewed attention surrounding the Stans project. Meanwhile, “Lose Yourself,” one of his most iconic tracks, maintains a presence on the Top Songs list, currently positioned at No. 134.

Tracks and Notable Collaborations

The Stans soundtrack features a carefully curated selection of 12 recordings, with most selections drawn from Eminem’s well-known body of work. Familiar cuts include “Bad Guy,” “Not Afraid,” and “Rap God.” The project distinguishes itself through two previously unreleased recordings: “Everybody’s Looking at Me” and a live rendition of “Stan” captured at Wembley Stadium in 2014.

The album incorporates multiple versions of “Stan,” including the original collaboration with vocalist Dido that opens the project. Another notable iteration features a Grammy Awards performance that saw Eminem reunite with Elton John, a moment widely regarded as a significant cultural moment. This version serves as the album’s closing track, creating a bookend effect that highlights the song’s evolving legacy.

The production of “Everybody’s Looking at Me” pairs new Eminem verses over production by Dr. Dre, while also incorporating elements from a freestyle segment originally performed by Funk Flex that referenced the late Proof, a significant figure in Eminem’s career and the D12 collective.